AURAL TRAINING AT A LEVEL MUSIC HOW TO

Learning how to identify and play basic musical elements by hearing them is an unavoidable skill every musician should acquire. Micro-tonal chord and interval recognitionĪural training otherwise called Ear training is a theoretical study that involves learning to identify the basic elements of music, such as melody, pitch, rhythm, and solfege, through hearing.↳ Lutes, Baroque and Renaissance Guitars, etc.↳ Advice on buying, selling or valuing a guitar.↳ Guitar accessories and luthier supplies for sale.↳ Archives of past 'Classical Guitars for Sale'.↳ Historical Background to Classical Guitar pieces.↳ Classical guitar recording and amplification.↳ Ergonomics and Posture for Classical Guitarists.↳ Search for classical guitar sheet music.

↳ Use of nails in playing the classical guitar.↳ Archives of Public Space and its subforums.↳ How to Participate in the Delcamp Classical Guitar Forum.Or because you've never learnt it, convey the sense of finality that characterises a perfect cadence, vs the characters of the other types. A bit late, in your first lesson, to realise you can't help you student with their grade exam aural tests! Or you can't sight-sing the melody they are playing (which you've never seen before) in order to convey a sense of cantabile. So say you are listening to a symphony and you realise the flutes are playing in thirds - gives a little boost.Īnd really practically, if you take music seriously, you will almost certainly do at least some teaching. One example of many possible, of the benefits of aural training, is you start to recognise and put names to things you hear (as well as see, in what you are playing or score-reading). Probably, in previous decades, many could get away with it, but with everything in the musical world being so much more competitive, I doubt many 'get away with it' nowadays, certainly, within the profession. All three things btw have clear inter-connections and relationships. It is true there has been a historical tendency for guitarists to be the least able of all musicians, at aurals, sight-reading and theory. Point of view the comparison with pianists, well all musicians need and benefit from, better aural faculties. The other big example of that would be theory. You will find there are many things that don't seem to make much sense to start with, but that you will be grateful for in due time. Yes, if you want to take music seriously, or even if you just want to get better at it for its own sake. How important is the sign-reading skills to a person who want to apply for the classical guitar study in conservatory? Thank you very much for your detailed explanation.ĭo you think the aural training also helping your sign-reading skills? I regret actually not giving it more attention back then - I got great grades but didn't apply myself as well as I could. I reiterate though, that ear training is good basic musicianship that all students of music at conservatory level should have, whether they be instrumentalists or singers. My school (USA) didn't have a grade system for guitarists. My level of playing when I applied for university wasn't very high I progressed a great deal in four years, and I assume that the requirements now for conservatory would be more stringent. I took required ear training (solfege) classes and harmony classes as an undergrad, and some as a grad student years later as a refresher. Sorry if I was unclear I had no previous ear training before I went to university. I am curious if you had got any 'aural training' before you were enrolled in conservatory?ĭid you remember what level of classical guitar you were when you applied for the conservatory?

Aural training at a level music